The Lodger

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Soon Grace finds herself under threat, and the only person prepared to listen is the brooding Tom Monaghan. The book just tries to do too much and falls flat in its premise/execution! The one thing it does well is show Grace’s grief following World War 1 and the aftermath effects of how it affected the country as a whole. Honestly the book would have been much better as a historical romance or general historical novel that focuses on characters’ grief and trying to move on following the war. Despite my usual aversion to novels set during wartime, I was thoroughly engrossed in this book. The author did a fantastic job of capturing the atmosphere and era with vivid descriptions, and the mystery itself was well-crafted and kept me intrigued until the end.

The Lodger by Helen Scarlett - Fantastic Fiction The Lodger by Helen Scarlett - Fantastic Fiction

The Lodger is a historical mystery novel set in post-World War I London. We follow Grace, an aspiring reporter in her early 20s as she works to discern the truth of the death of her dear family friend and long-time lodger, Elizabeth. Grace Armstrong believes that she has come to terms with her own loss, the death of her dazzling fiancé who was declared Missing in Action. But soon he starts to reappear both in her waking life and dreams. Added to this, there is the disappearance of the woman who has been lodging with the Armstrong family for the past eight years. Elizabeth Smith was a very private person though had become a good friend to Grace. Then a woman’s body is dragged from the Thames and is identified as Elizabeth. I loved that the world building, it was a huge plus as there is something impeccably sexy and mysterious about London based books! 😍

It’s a slow unravelling of the mystery, but steady, so that I didn’t feel it dragged at any point. The pace allows for plenty of space to explore different reactions to the cataclysm of the war, from those men directly affected trying to deal with mental and physical injuries, to those who had endured a long wait ending perhaps with the awfulness of the telegram telling them their son or brother or lover would not be coming home. Scarlett reminds us that for many the verdict was missing, presumed dead, leaving a tiny glimmer of hope that cruelly drags out the process of acceptance. She shows us how this feeds into the rise of spiritualism, as people desperately seek some kind of closure – the possibility at least of saying goodbye, when there isn’t even a grave to visit. We see how society is divided into those who find comfort in the belief that the fallen had died gloriously for a great cause and those who feel it had all been an unforgivable waste, and how each side of that divide unintentionally adds to the hurt of the other. And yet through all this, Scarlett avoids mawkishness and over-sentimentality.

The Lodger by Helen Scarlett – Historia Magazine The Lodger by Helen Scarlett – Historia Magazine

The Lodger is solid entry into the gothic genre. Using the atmospheric London streets during the aftermath of World War I to its advantage, the story follows Grace who is determined to find out the truth of what happened to her missing lodger, Elizabeth. What I really liked is the description of post war London, even if it reminded me very much of Downton Abbey. The characters could just have been taken from this grand house to the slightly more family home of Ryedale Villa. And the pacing and escapism reminded me of "All creatures, great and small". However, midway through I found the pacing to become very slow and more and more emphasis was put on romance which is just something I don't like in mysteries. Set in post WW1 London, this is a gothic mystery which completely captivated me, I loved it and a contender for my favourite this year. Side characters. I appreciate the time the author took to research the recovery of people and wounds that will never heal. I liked the themes she discussed with the stories of side characters. But for me, there were too many sub-plots, we didn't have enough time to explore them. In my opinion, it could be better if we had just one or two side characters, but we could feel their story I didn’t have high hopes of this, having read a lot of gothic fiction recently and become a bit disillusioned with it but this was brilliant. I loved it. There were so many twist and turns and the ghosts and depiction of grief added real weight to the story. Elizabeth was a total mystery and I didn’t see the ending coming. I highly recommend this.The story began to slow down a bit in the middle, making me lose interest 😭 The romance felt almost forced and the mystery waned! The characters involved in the romance barely have any scenes together so it just doesn’t make sense. The murder mystery completely slowed and there’s zero tension, it feels more like a cozy mystery than a gothic novel (which there’s nothing wrong with that but it’s not something I enjoy; I prefer mysteries with tension). The Lodger by Helen Scarlett is a detective taking place in the aftermath of WWI in London. It's full of brooding and grief but also new beginnings and stories of healing. Thank you to Quercus and Netgalley for the eARC of The Lodger by Helen Scarlett in exchange for an honest review! All opinions Expressed are my own. The Lodger by Helen Scarlett is a gripping and haunting gothic tale set in post-World War I London. When the body of Elizabeth Smith, a lodger who had become a dear friend to Grace, is found in the Thames after disappearing suddenly, Grace is drawn into the dangerous underbelly of London to uncover what happened to Elizabeth.

The Lodger Helen Scarlett 2023/2024 Release - Check Reads The Lodger Helen Scarlett 2023/2024 Release - Check Reads

The Lodger is Helen Scarlett’s second novel (following The Deception of Harriet Fleet in 2020) who, once again, delivers a tale of mystery and intrigue set amid a gothic atmosphere set amid a period of mourning in 1919 following the First World War. To make matters worse, a body, dragged from the Thames, is identified as Elizabeth Smith, who lodged with Grace and her family for the last eight years before suddenly disappearing. The author uses her beautifully evoked setting - an eerie, watery, twilit London in the aftermath of the First World War, a place of ghosts at a time of collective loss and grief, the London of The Waste Land and Mrs Dalloway - to dramatic effect as amateur sleuth Grace investigates the disappearance of the secretive lodger of the title.It’s 1919 and Grace Armstrong, like many other young women, is mourning the loss of her fiancé and brother in the Great War. She has done her best to move on – having served as a VAD nurse during the war, she is now pursuing a career as a journalist with the London periodical Nursing World – but she is still haunted by the thought that her fiancé Robert, reported Missing in Action at the Somme, could still be alive. Meanwhile her mother, struggling to cope with the death of Grace’s brother Edward, is under sedation in a nursing home. It’s a difficult time for the Armstrong family – and is about to get worse when their lodger, Elizabeth Smith, is found drowned in the River Thames. Flat characters-there’s no development or character arcs. It’s always the same things and we don’t learn anything new to add to the characterization of the MC or side characters. The main mystery also disappears for awhile and becomes more of a side plot to the romance and character relationships. London in 1919, a city of ghosts and absences. Grace Armstrong believes that she has come to terms with her own loss, the death of her fiancé, the brilliant and dazzling best friend of her brother. He was declared Missing in Action during the Battle of the Somme, but he starts to reappear both in her waking life and dreams. Grace seems to accept the discoveries about Elizabeth's death and life like completing a puzzle. Elizabeth's story is full of secrets and taboos. But the information Grace gathers during the months following Elizabeth's death have no consequence. The final scenario would be exactly the same if the crime of the central plot was any other; and, what should have been the main story of the novel, becomes a secondary plot.