Indian Pakistani Ethnic and Stylish Party wear Suit material with full Jaal Phulkari Dupatta/Long Scarf/Chunni

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Darshan Dwar is a type of Phulkari which was made as an offering or bhet (presentation). It has panelled architectural design. The pillars and the top of the gate are filled with latticed geometrical patterns. Sometimes human beings are also shown standing at the gate. [5] The silk base of this dupatta is exceptionally pretty, and this is one of the best outfits for everyday wear too. Pair a good old White Anarkali Suit, with this Pink Phulkari Dupatta and that is a look on its own.

A Phulkari dupatta can reinvent your entire look and add a splash of vibrancy to your overall attire. A phulkari dupatta suit is looks even better! Suits with Phulkari dupatta could be plain or detailed with embroidery; it really depends on how you wish to mix and match with your favourite Phulkari dupatta designs. Multi-colored embroidery stitches on jute, khadi, or georgette fabric make this folk art from Punjab distinctive. Even designers are looking at new ways to reinvent the Phulkari art form.a b c d e f g h i j k l m n Rampa Pal Chapter Phulkari pp36-47 in Mohinder Singh Randhawa. (1960) Punjab: Itihas, Kala, Sahit, te Sabiachar aad.Bhasha Vibhag, Punjab, Patiala. National Crafts Museum: Away from Delhi's chaos, history in all its glory". The Indian Express. 9 December 2019 . Retrieved 31 January 2020.

Using a cloth over the embroidery to prevent any damage from happening is the ideal way to iron on low heat. The craft of Phulkari has undergone changes over the centuries. According to Pal (1960) in his seminal essay on the history and use of the Phulkari published by Patiala University, the traditional method of embroidering a Phulkari and its widespread use in Punjab, India declined by the 1950s. [4] Traditionally, women would embroider Phulkaris without using stencils. Pal (1960) states that women would clean their courtyards and invite friends and family to ceremonially begin the process of embroidering a Phulkari. Folk songs would be sung on this occasion. [4] "Ih Phulkari Meri Maan Ne Kadhi/ Is Noo Ghut Ghut Japhiyan Paawan" (This Phulkari was embroidered by my mother, I embrace it warmly). Folk songs like these are indicative of the emotional attachment the girl had to the Phulkari embroidered by her mother or grandmother, or aunts. [5] GI status for Phulkari". The Times of India. 19 January 2011. Archived from the original on 29 June 2013 . Retrieved 23 April 2013. Like Indians, Pakistani Brides also wear Suits with Phulkari Dupatta. She is wearing a pretty Salwar Suit and the colour of her attire is imp-le pastel pink.Traditionally, use of coarse khaddar fabric made it easy to count the yarn. The base khaddar cloth used in Western Punjab was finer than what was used in Central Punjab. The fabric was woven in widths, which were narrow, as the width of the loom was such. Thus, the fabric had to be stitched lengthwise to make the desired width, which was later embroidered. This practice of stitching two pieces was common among textiles of Punjab in the early 20th century. In West Punjab (now in Pakistan), two or three pieces of cloth were first folded and joined, leading to distorted designs. In East Punjab (now Punjab, Haryana, and part of Himachal Pradesh), they were joined first and then embroidered. 20th century Phulkari from Punjab (India), Honolulu Museum of Art Patterns [ edit ] Women artisans embroidering with Patt in Rajpura, Punjab (India), 2015 In Pakistan, Madan and Phul (2016) noted that the Phulkari work of the Punjab was revived in Hazara (of undivided Punjab but now in Khyber Pakhtunkhwa) on the initiative of an NGO. However, the Phulkaris produced on a commercial level are not of the same quality as the traditional craft. But the revival has helped poor rural families. [42]

Kesariya Tera Ishq hai Piya’ from the Movie Bramhastra, is one such song which romanticises the beauty of Orange in all its glory. An ideal phulkari dupatta with plain suits is the white phulkari dupatta. Since it goes well with any solid colored salwar suit, a white phulkari dupatta is a must have in the wardrobe. However, the most classic combination is the white suit with phulkari dupatta. Another option is the white phulkari dupatta with a yellow kurta and white palazzos. Pink Phulkari Dupatta Source – Shopify

3. Traditional Phulkari Dupatta Colors

Kaur, Rajinder and Gupta, Ila (2016) The Implementation of Phulkari Embroidert pattern in Interior Decoration in Understanding Built Environment: Proceedings of the National Conference on Sustainable Built Environment 2015. Springer [8] Don’t believe us? You need to see to believe! Read below to know more about the latest Phulkari Dupatta trends that will make make you fall for Punjabi embroidery- 1. Phulkari Dupatta with plain suits- flower power! Source – Blogspot Although they both are warm colours, these two shades compliment each other more than anything else. You can’t decorate an orange outfit with silver thread. Yellow Floral Suit with Phulkari Dupatta

The beautiful and elegant combination of blue and pink is utilized to create this nice Punjabi dress. The blue colored kurta has with Phulkari work. It is also a good combination and women can go for it. At least now you know, what that is and how important it is to the Bridal culture of Punjab. Being a traditional apparel style of Punjab, most Brides wear a Silk Suit with Phulkari Dupatta.Green and Red are significantly pretty colours, which are popular for Indian bridal wear. The body of the outfit might be simple, but the burial dupatta is well-selected. Garg, Veenu (2017) Transition of phulkari traditional folk art of Punjab and its revival through artistic and expressive compromises. Jiwaji University. Shodhganga [7] The Kaleeras and significantly pretty, and these outfits are modern on their own. I find this outfit more appropriate for a Punjabi Bride. Orange Sharara Suit with Phulkari Dupatta In 2011, after a five-year-long legal case, Phulkari was awarded the geographical indication (GI) status in India, which means that after that only registered traders and manufacturers, from the states of Punjab, Haryana, and Rajasthan would be able to use the term for the traditional craft, and the patent information centre (PIC) of Punjab State Council for Science and Technology [25] would issue a logo or hologram to distinguish the product. [26] Pal (1960) describes the following traditional varieties of Phulkari: Bagh, Chope, Subhar, Sainchi, Tilpatra, Neelal, Ghungat bagh and chammas. He also describes the materials used, colours and stitching techniques. The traditional cloth would be khaddar using hand-spun cotton. The cotton would be weaved professionally to create a heavy material. Lighter versions called halvaan were also used. Pal noted that khaddi material was also becoming popular. The colours were red, white, golden yellow green and deep blue. Natural methods would be used to dye the material w such as utilising flowers. A popular method was to use the Rubia cordifolia tree known as Indian madder and Majith in Punjabi. Unspun silk thread known as patt would be used to embroider the designs using the double stitch known in Punjabi as dasuti tropa, herringbone stitch and satin stitch. Long and short stitches would be employed. No stencil would be used to embroider the designs. [4]