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The Devil You Know

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As I mentioned I had just reviewed and listened to "13" so when I popped this in I was immediately reminded (already knew) what a difference there is between Ozzy Osbourne and Dio. Even on the slow, sludgy opener "Atom And Evil" Dio's voice makes the song alive, especially compared to the crushingly dull performance of Ozzy on "13. That album would have been 10x better with Dio at the mic.

The songs are generally big, staid tanks of lead, built on Vinny Appice's plodding 4/4 pound and loaded with a stately majesty that recalls this lineup's classics — the atmosphere of "Heaven and Hell" (the song) and "Children of the Sea", brought into the modern day and made just a little darker and more weighty. Some are decrying the sheer metric tonnage of doom on "The Devil You Know", but I submit that HEAVEN & HELL are at their brooding best on this more ponderous, epic material. The more uptempo "Double the Pain", for instance, is one of the few less-than-stellar cuts on the record, seeming like a castoff from Iommi's late-Eighties riff tapes (though even here, the band's effortless conviction comes pretty damn close to selling it). The production sound reminds me of "Dehumanizer" more than the other two Dio-fronted Sabbath LPs ("Heaven And Hell", "Mob Rules"). Several of the songs are slow and creepy but there's also uptempo pounders like "Breaking Into Heaven" and “Eating The Cannibals”. While the presence of Dio always completely ferments anything he sings on this album feels like all three are equally present at all times. Iommi is as always a brilliant creator of riffs and Geezer Butler's menacing bass sets the tone. especially on for the crunchy “Double The Pain”. It's one of the best basslines I've heard since Queen's "Under Pressure" As for the other members, Geezer can be heard well in the mix, and he has plenty of sweet bass fills and great rhythm lines. I wonder how much of a hand he had in coming up with riffs for this album, since I know he was more involved with this writing process than he said he would be if it was Ozzy-fronted. I do know he came up with the album title, at least, as well as the 25:41 on the cover (a very pointed reference to Matthew 25:41 from The New Testament of The Holy Bible). And as for Vinny, his drumming is fine. It sets a good rhythm, is in time, and I actually like his fills (I don't understand why he gets ragged on so much). I'm not a big fan of overly complicated drumming, I just like it to fit the music and hold everything together. Dio's vocals on this album are just some of the best and most aggressive sounding vocals he's ever put on an album. His vocals match the intensity that the album art for the album gives off as well as the album title itself. For being a couple years shy of seventy years old, Dio has still got it. In this album, Dio blends the perfect mixture of melody and aggression together to create some of the best vocals he's ever done on an album, if not the best. Dio's lyrical ability is also top notch and on this album he created some of the best lyrics he's ever written for any other album. The lyrics on this album are just great.The mix is powerful and expansive. Everything sounds enormous! The bass is nice and growly. Dio’s vocs are right out front like they should be. I dig the drums on “TDYK” way more than on “Dehumanizer”. If it were me, I’d boost the guitar two or three decibels at 400-500 Hz to give it more bite (it sounds fine as it is, but it’s quite polished). As a goof, I had a friend of mine who’s good with pixels, uh “fix” the cover art after it was announced. Here’s my “fixed” version. See if you can see what’s different. :) Kaz, Jim (29 April 2009). "Heaven & Hell – The Devil You Know". IGN. Archived from the original on 14 April 2010 . Retrieved 26 April 2012. As was the case in 1992, the triumphant return of this outfit has resulted in a lesson that can school any and all adherents of metal music. It is definitely one of the best, if not the best album to come out this year. It isn’t a matter of this band being capable of doing no wrong, but simply that every time their in the studio, nothing ever comes out that way. They reprove their worth every time, starting nearly from scratch at each instance, and have once again put out something that will be talked about and listened to years after the novelty wears off. This is the devil that all of us know and love, forever unchanging, and forever a master at his craft.

Offiziellecharts.de – Heaven & Hell – The Devil You Know" (in German). GfK Entertainment Charts. Retrieved 22 April 2018. Heaven & Hell: The Devil You Know" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved 22 April 2018. As for Ronnie, his lyrics are fine. It sounds more in the vein of Dehumanizer, with more 'occult' style lyrics and staying away from rainbows and things of that nature. I like the story-through-song approach we have going on, where a song is like a whole concept. Reminds me a lot of Dio's solo effort Magica and maybe even Strange Highways. “Atom & Evil” and “Breaking Into Heaven” seem to have the best lyrics, from what I understand of the songs so far, and they make a good opener and closer. Dutchcharts.nl – Heaven & Hell – The Devil You Know" (in Dutch). Hung Medien. Retrieved 22 April 2018. The songs were written during late spring, early Summer 2008. None were recorded until after the 2008 Metal Masters tour was over.

Companies, etc.

Best Buy will offer an exclusive version featuring a DVD with unreleased video of the band recording the album including studio performances, interviews, and other behind-the-scenes content. (See several clips from the DVD below.) a b Cohen, Jonathan (10 February 2009). "Heaven & Hell Feeling Devilish on New Album". Billboard . Retrieved 11 February 2009. Heaven & Hell Official North American Tour Dates Confirmed". KNAC. 4 May 2009 . Retrieved 10 May 2009.

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