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Lighting modifiers such as softboxes, barn doors, snoots and beauty dishes are also readily fitted directly to the unit or the attached mount. The AD600 Pro also offers a very powerful modeling lamp, meaning that this light can also be used as a video light alongside its flash capabilities! Offering a 38w light, as well as a 4-hour battery life from a single charge, the AD600 Pro is a great tool for both videography and flash photography. I think it depends on what your shooting , nearly 2 secs recycle on full power for model or portrait work might be too slow to keep the flow. It is also supposed to have better colour repeatability between shots. God knows most cameras and lenses are not calibrated......... but I guess if you sort one frame you can just do the others the same. The new Flashpoint R2 Pro wireless flash trigger, the ultimate dedicated light master for The R2 Family of Flash. Boasting sparkling innovations that make the art of photography easier than ever, at the touch of a button. Like the essential TTL tool, TCM. TCM fusion takes TTL to a new level, overcoming the exposure fluctuations that may occur in TTL shooting by saving the successful exposure value to Manual settings for repeat capture accuracy. I used a competitor battery powered monolight for about 4 years steady. I never quite got the same results as the hype that went with those units. When I switched cameras and that company did not support my cameras, it was time to change. I studied and studied and went with Godox/Flashpoint. Good move on my part.
Because you're arguing semantics and making unreasonable demands, the AD600 pro is a completely redesigned product, there is no reason for them to price it the same. On the downside the Pro has less shots per charge by around 25%. The 600BM's tube is more recessed in modifiers like boxes and so has reduced power from wastage. The colour consistency is now matched by other Off-Camera Flash (OCF) units, such as Elinchrom with their ELB 500 TTL, which I reviewed previously HERE. I have to say, the AD600 Pro has stood the test of time extremely well. I used it in various scenarios such as the following product shot.I am very happy with the AD-600s and sold my Einsteins and the rest of my hodge-podge Bowens, Hensel, and Buff gear.
The AD600Pro is a powerful, portable lithium-ion powered flash from Godox that combines TTL (Through-The-Lens) metering with reliable performance and versatile accessories. The flash offers extraordinary power output, with a guide number of 60 at 200mm in the most demanding conditions. It also offers stroboscopic and HSS (High Speed Sync) functions up to 1/8000th of a second. What is the guide number for the Godox AD600Pro? Combined, these three features take the already versatile studio strobe to a whole new plane of utility and the PiXAPRO CITI600 with the ST-IV trigger does a fantastic job of it. In the months that I’ve owned mine, I can attest that the HSS functionality works perfectly without flaw. I had never felt limited by my flash recycling time. As long as I could keep it under 3 secs, I was fine. I didn't feel the need to shoot a machine gun burst. You anticipate the action and you get the shot every time.The proprietary TTL and HSS enabled 2.4GHz R2 Radio Remote Systemtransmits atop a modern DSLR body with reliable TTL and pass-through to speedlights, plus laser AF assist. R2 transmitters work with the complete family of Flashpoint Zoom Speedlights, XPLOR600 Monolights and Streaklight Strobes with R2 TTL radio transceivers built right in.Add a R2 receiver to any legacy flash with a sync port and it too becomes part of the R2 Family! The incredible range of these compact and lightweight units as well as their integrated functions and features make them the first choice of professional photographers. This comes in handy when traveling so that the flash can’t be accidentally turned on and drain the battery. Whilst these two flashes are very similar, the AD200 Pro has the edge on the AD200, meaning that of the two, it is the AD200 Pro that you will struggle to find a Godox user without! The AD200 Pro is the most popular of this entire range for its versatility, and portable nature. sync cord slot for direct connection, wireless control port, and USB Type-C port for firmware upgrades
Having a battery powered flash not only removes the need for AC Power Outputs and wasting time trying to find the outlets (if there even are any available), but also eliminates the tripping hazard of cables on set. The main differences are that the AD600Pro does not have the option for interchangeable adapter rings for Bowens, Profoto and Elinchrom, and obviously there’s the 200-watt power output difference between the two flash heads. Overall, the AD400Pro and AD600Pro are both amazing portable flashes that perform very well in both indoor and outdoor settings. The unmatched R2 Radio System links Canon, Nikon, Sony, Fujifilm and Olympus/Panasonic seamlessly for the ultimate to remote solutions. The sun is no match to this exceptional performer with superior HSS up to 1/8000s. The new integrated reflector makes the flash ready to serve up some dazzling imagery without add-ons, speeding the way to the finish line. And the broad spectrum of Bowens mount light modifiers available, contours every possible lighting occurrence from studio to peak.With the standard reflector fitted, and the power dialled down to the lowest output possible, which is 1/256th and in standard mode, the colour meter gave us a reading of 5759k, which is within the promised +/-200k of the stated 5600k. I have to admit I was quite impressed even with the standard colour mode, particularly when the light has been dialled down to the minimum, which is where the greatest variance tends to occur. IMPROVED 38W LED MODELLING LAMP - Improving on the AD600's 10W LED modelling lamp, the AD600 Pro boasts an impressive 38W LED modelling lamp making it much more versatile and useful, especially in lit areas Both are 4800K which is equivalent to outside daylight. The strength of the modelling lamp really helps with focusing in low light situations and seeing what the light will do without having to do test shots. Connectivity As a location photographer the locations provide plenty of color shift natively that masks any color shifts that might be present in the flashes. Were I shooting on a studio set with almost no variation in subject I might notice the drift. However I didn't see much shift from my White Lightnings despite their "primitive" design. The Godox AD600 Pro will work seamlessly with all major compatible camera brands, including Canon, Nikon, Fuji, Olympus and Sony.
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