Poster 2001: A Space Odyssey

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AFI's 100 Years ... 100 Thrills" (PDF). afi.com. American Film Institute. 16 June 1998. Archived from the original (PDF) on 28 March 2014 . Retrieved 9 October 2019. Winners: 1960s". Kansas City Film Critics Circle. 18 December 1968. Archived from the original on 3 May 2012 . Retrieved 16 October 2012.

Sweeney, Louise. Review of 2001 reprinted from The Christian Science Monitor in Agel 1970, pp.227–231. Critics Top Ten Poll 2002". Sight & Sound. British Film Institute. Archived from the original on 16 August 2002 . Retrieved 10 May 2018. Houston, Penelope (Spring 1971). "Skeleton Key to 2001". Sight and Sound International Film Quarterly. London: British Film Institute. 40 (2). Miller, Frank. "Behind the Camera on 2001: A Space Odyssey". tcm.com. Turner Classic Movies. Archived from the original on 28 January 2016 . Retrieved 24 December 2014.

Everyone recalls one early sequence in the film, the space hotel, primarily because the custom-made Olivier Mourgue furnishings, those foam-filled sofas, undulant and serpentine, are covered in scarlet fabric and are the first stabs of colour one sees. They resemble Rorschach "blots" against the pristine purity of the rest of the lobby. [80] Frayling, Christopher (2015). The 2001 File: Harry Lange and the Design of the Landmark Science Fiction Film. London: Reel Art Press. ISBN 978-0-9572610-2-0.

Joyce, Paul (director) Doran, Jamie (producer) Bizony, Piers (assoc. producer) (2001). 2001: The Making of a Myth (Television production). UK: Channel Four Television Corp. Event occurs at 15:56. a b c d Trumbull, Douglas (June 1968). "Creating Special Effects for 2001: A Space Odyssey". American Cinematographer. 49 (6): 412–413, 420–422, 416–419, 441–447, 451–454, 459–461. Archived from the original on 13 June 2016 . Retrieved 7 June 2016– via Cinetropolis.

Original Vintage Movie Posters @ Film/Art Gallery

Delany, Samuel R. (1968). "A Review of 2001: A Space Odyssey". Archived from the original on 19 August 2011 . Retrieved 5 March 2022. Shoard, Catherine (21 October 2010). "2001: A Space Odessy: the best sci-fi and fantasy film of all time". The Guardian. Archived from the original on 18 July 2021 . Retrieved 18 July 2021. Hoad, Phil (12 March 2018). "How we made 2001: A Space Odyssey". The Guardian. Archived from the original on 22 May 2018 . Retrieved 14 May 2018. An average poster with overall fresh color. May have tears, minor paper loss, minor hazing. Paper may be brittle due to age, may have minor stains. May have a small amount of writing in an unobtrusive place. May have medium or major restoration.

At Jupiter, Dave finds a third, much larger monolith orbiting the planet. He leaves Discovery in an EVA pod to investigate. He is pulled into a vortex of coloured light and observes bizarre astronomical phenomena and strange landscapes of unusual colours as he passes by. Finally he finds himself in a large neoclassical bedroom where he sees, and then becomes, older versions of himself: first standing in the bedroom, middle-aged and still in his spacesuit, then dressed in leisure attire and eating dinner, and finally as an old man lying in bed. A monolith appears at the foot of the bed, and as Dave reaches for it, he is transformed into a foetus enclosed in a transparent orb of light floating in space above the Earth.

Since its premiere, 2001: A Space Odyssey has been analysed and interpreted by professional critics and theorists, amateur writers, and science fiction fans. In his monograph for BFI analysing the film, Peter Krämer summarised the diverse interpretations as ranging from those who saw it as darkly apocalyptic in tone to those who saw it as an optimistic reappraisal of the hopes of mankind and humanity. [189] Questions about 2001 range from uncertainty about its implications for humanity's origins and destiny in the universe [190] to interpreting elements of the film's more enigmatic scenes, such as the meaning of the monolith, or the fate of astronaut David Bowman. There are also simpler and more mundane questions about the plot, in particular the causes of HAL's breakdown (explained in earlier drafts but kept mysterious in the film). [191] [42] [192] [193] Audiences vs. critics [ edit ]